A lot happened in the year 1987, including the debut of a family-friendly TV sitcom set in San Francisco. The name of the show was Full House, and we’ll be doing a deep dive into this popular comedy over the coming weeks.
But first, to get a sense of the times and trends that helped shape this series, here’s a notable obituary from 1987 — Andy Warhol.
Andy Warhol was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings Campbell’s Soup Cans (1962) and Marilyn Diptych (1962), the experimental films Empire (1964) and Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).
Born and raised in Pittsburgh, Warhol initially pursued a successful career as a commercial illustrator. After exhibiting his work in several galleries in the late 1950s, he began to receive recognition as an influential and controversial artist. His New York studio, The Factory, became a well-known gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities, and wealthy patrons. He promoted a collection of personalities known as Warhol superstars, and is credited with inspiring the widely used expression “15 minutes of fame”. In the late 1960s he managed and produced the experimental rock band The Velvet Underground and founded Interview magazine. He authored numerous books, including The Philosophy of Andy Warhol and Popism: The Warhol Sixties. He lived openly as a gay man before the gay liberation movement. In June 1968, he was almost killed by radical feminist Valerie Solanas, who shot him inside his studio. After gallbladder surgery, Warhol died of cardiac arrhythmia in February 1987 at the age of 58 in New York City.
Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films. The Andy Warhol Museum in his native city of Pittsburgh, which holds an extensive permanent collection of art and archives, is the largest museum in the United States dedicated to a single artist. Warhol has been described as the “bellwether of the art market”. Many of his creations are very collectible and highly valuable. His works include some of the most expensive paintings ever sold. In 2013, a 1963 serigraph titled Silver Car Crash (Double Disaster) sold for $105 million. In 2022, Shot Sage Blue Marilyn (1964) sold for $195 million, which is the most expensive work of art sold at auction by an American artist.
By the beginning of the 1960s, pop art was an experimental form that several artists were independently adopting; some of these pioneers, such as Roy Lichtenstein, would later become synonymous with the movement. Warhol, who would become famous as the “Pope of Pop”, turned to this new style, where popular subjects could be part of the artist’s palette. His early paintings show images taken from cartoons and advertisements, hand-painted with paint drips. Those drips emulated the style of successful abstract expressionists such as Willem de Kooning.
From these beginnings, he developed his later style and subjects. Instead of working on a signature subject matter, as he started out to do, he worked more and more on a signature style, slowly eliminating the handmade from the artistic process. Warhol frequently used silk-screening; his later drawings were traced from slide projections. At the height of his fame as a painter, Warhol had several assistants who produced his silk-screen multiples, following his directions to make different versions and variations.
Warhol’s first pop art paintings were displayed in April 1961, serving as the backdrop for New York Department Store Bonwit Teller’s window display. This was the same stage his Pop Art contemporaries Jasper Johns, James Rosenquist and Robert Rauschenberg had also once graced. It was the gallerist Muriel Latow who came up with the ideas for both the soup cans and Warhol’s dollar paintings. On November 23, 1961, Warhol wrote Latow a check for $50 which, according to the 2009 Warhol biography, Pop, The Genius of Warhol, was payment for coming up with the idea of the soup cans as subject matter.[99] For his first major exhibition, Warhol painted his famous cans of Campbell’s soup, which he claimed to have had for lunch for most of his life.
It was during the 1960s that Warhol began to make paintings of iconic American objects such as dollar bills, mushroom clouds, electric chairs, Campbell’s soup cans, Coca-Cola bottles, celebrities such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor, as well as newspaper headlines or photographs of police dogs attacking African-American protesters during the Birmingham campaign in the civil rights movement. His work became popular and controversial.
In 1962, Warhol created his famous Marilyn series. The Flavor Marilyns were selected from a group of fourteen canvases in the sub-series, each measuring 20″ x 16″. Some of the canvases were named after various candy Life Savers flavors, including Cherry Marilyn, Lemon Marilyn, and Licorice Marilyn. The others are identified by their background colors.
Warhol produced both comic and serious works; his subject could be a soup can or an electric chair. Warhol used the same techniques—silkscreens, reproduced serially, and often painted with bright colors—whether he painted celebrities, everyday objects, or images of suicide, car crashes, and disasters, as in the 1962–63 Death and Disaster series.
In 1979, Warhol was commissioned to paint a BMW M1 Group 4 racing version for the fourth installment of the BMW Art Car project. He was initially asked to paint a BMW 320i in 1978, but the car model was changed and it didn’t qualify for the race that year. Warhol was the first artist to paint directly onto the automobile himself instead of letting technicians transfer a scale-model design to the car. Reportedly, it took him only 23 minutes to paint the entire car. Racecar drivers Hervé Poulain, Manfred Winkelhock and Marcel Mignot drove the car at the 1979 24 Hours of Le Mans.
Some of Warhol’s work, as well as his own personality, has been described as being Keatonesque. Warhol has been described as playing dumb to the media. He sometimes refused to explain his work. He has suggested that all one needs to know about his work is “already there ‘on the surface'”.
His Rorschach inkblots are intended as pop comments on art and what art could be. His cow wallpaper (literally, wallpaper with a cow motif) and his oxidation paintings (canvases prepared with copper paint that was then oxidized with urine) are also noteworthy in this context. Equally noteworthy is the way these works—and their means of production—mirrored the atmosphere at Andy’s New York “Factory”.
Warhol’s 1982 portrait of Basquiat, Jean-Michel Basquiat, is a silkscreen over an oxidized copper “piss painting.” After many years of silkscreen, oxidation, photography, etc., Warhol returned to painting with a brush in hand. In 1983, Warhol began collaborating with Basquiat and Clemente. Warhol and Basquiat created a series of more than 50 large collaborative works between 1984 and 1985. Despite criticism when these were first shown, Warhol called some of them “masterpieces,” and they were influential for his later work.
In 1984, Warhol was commissioned by collector and gallerist Alexander Iolas to produce work based on Leonardo da Vinci’s The Last Supper for an exhibition at the old refectory of the Palazzo delle Stelline in Milan, opposite from the Santa Maria delle Grazie where Leonardo da Vinci’s mural can be seen. Warhol exceeded the demands of the commission and produced nearly 100 variations on the theme, mostly silkscreens and paintings, and among them a collaborative sculpture with Basquiat, the Ten Punching Bags (Last Supper). The Milan exhibition that opened in January 1987 with a set of 22 silk-screens, was the last exhibition for both the artist and the gallerist. The series of The Last Supper was seen by some as “arguably his greatest,” but by others as “wishy-washy, religiose” and “spiritless”. It is the largest series of religious-themed works by any U.S. artist.
In the period just before his death, Warhol was working on Cars, a series of paintings for Mercedes-Benz.
The value of Andy Warhol’s work has been on an endless upward trajectory since his death in 1987. In 2014, his works accumulated $569 million at auction, which accounted for more than a sixth of the global art market. However, there have been some dips. According to art dealer Dominique Lévy, “The Warhol trade moves something like a seesaw being pulled uphill: it rises and falls, but each new high and low is above the last one.” She attributes this to the consistent influx of new collectors intrigued by Warhol. “At different moments, you’ve had different groups of collectors entering the Warhol market, and that resulted in peaks in demand, then satisfaction and a slow down,” before the process repeats another demographic or the next generation.
In 1998, Orange Marilyn (1964), a depiction of Marilyn Monroe, sold for $17.3 million, which at the time set a new record as the highest price paid for a Warhol artwork. In 2007, one of Warhol’s 1963 paintings of Elizabeth Taylor, Liz (Colored Liz), which was owned by actor Hugh Grant, sold for $23.7 million at Christie’s.
In 2007, Stefan Edlis and Gael Neeson sold Warhol’s Turquoise Marilyn (1964) to financier Steven A. Cohen for $80 million. In May 2007, Green Car Crash (1963) sold for $71.1 million and Lemon Marilyn (1962) sold for $28 million at Christie’s post-war and contemporary art auction. In 2007, Large Campbell’s Soup Can (1964) was sold at a Sotheby’s auction to a South American collector for 7.4 million. In November 2009, 200 One Dollar Bills (1962) at Sotheby’s for $43.8 million.
In 2008, Eight Elvises (1963) was sold by Annibale Berlingieri for $100 million to a private buyer. The work depicts Elvis Presley in a gunslinger pose. It was first exhibited in 1963 at the Ferus Gallery in Los Angeles. Warhol made 22 versions of the Elvis portraits, 11 of which are held in museums. In May 2012, Double Elvis (Ferus Type) sold at auction at Sotheby’s for $37 million. In November 2014, Triple Elvis (Ferus Type) sold for $81.9 million at Christie’s.
In May 2010, a purple self-portrait of Warhol from 1986 that was owned by fashion designer Tom Ford sold for $32.6 million at Sotheby’s. In November 2010, Men in Her Life (1962), based on Elizabeth Taylor, sold for $63.4 million at Phillips de Pury and Coca-Cola (4) (1962) sold for $35.3 million at Sotheby’s. In May 2011, Warhol’s first self-portrait from 1963 to 1964 sold for $38.4 million and a red self-portrait from 1986 sold for $27.5 million at Christie’s. In May 2011, Liz #5 (Early Colored Liz) sold for $26.9 million at Phillips.
In November 2013, Warhol’s rarely seen 1963 diptych, Silver Car Crash (Double Disaster), sold at Sotheby’s for $105.4 million, a new record for the artist. In November 2013, Coca-Cola (3) (1962) sold for $57.3 million at Christie’s. In May 2014, White Marilyn (1962) sold for $41 million at Christie’s. In November 2014, Four Marlons (1964), which depicts Marlon Brando, sold for $69.6 million at Christie’s. In May 2015, Silver Liz (diptych), painted in 1963, sold for $28 million and Colored Mona Lisa (1963) sold for $56.2 million at Christie’s. In May 2017, Warhol’s 1962 painting Big Campbell’s Soup Can With Can Opener (Vegetable) sold for $27.5 million at Christie’s. In 2017, billionaire hedge-fund manager Ken Griffin purchased Orange Marilyn privately for around $200 million. In March 2022, Silver Liz (Ferus Type) sold for 2.3 billion yen ($18.9 million) at Shinwa Auction, which set a new record for the highest bid ever at auction in Japan. In May 2022, Shot Sage Blue Marilyn (1964) sold for $195 million at Christie’s, becoming the most expensive American artwork sold at auction.
Among Warhol’s early collectors and influential supporters were Emily and Burton Tremaine. Among the over 15 artworks purchased, Marilyn Diptych (now at Tate Modern, London) and A boy for Meg (now at the National Gallery of Art in Washington, DC), were purchased directly out of Warhol’s studio in 1962. One Christmas, Warhol left a small Head of Marilyn Monroe by the Tremaine’s door at their New York apartment in gratitude for their support and encouragement.
In 2002, the U.S. Postal Service issued an 18-cent stamp commemorating Warhol. Designed by Richard Sheaff of Scottsdale, Arizona, the stamp was unveiled at a ceremony at The Andy Warhol Museum and features Warhol’s painting “Self-Portrait, 1964”. In March 2011, a chrome statue of Andy Warhol and his Polaroid camera was revealed at Union Square in New York City.
A crater on Mercury was named after Warhol in 2012. In 2013, to honor the 85th anniversary of Warhol’s birthday, The Andy Warhol Museum and EarthCam launched a collaborative project titled Figment, a live feed of Warhol’s gravesite.
Warhol’s will dictated that his entire estate—with the exception of a few modest legacies to family members—would go to create a foundation dedicated to the “advancement of the visual arts”. Warhol had so many possessions that it took Sotheby’s nine days to auction his estate after his death; the auction grossed more than US$20 million.
In 1987, in accordance with Warhol’s will, the Andy Warhol Foundation for the Visual Arts began. The foundation serves as the estate of Andy Warhol, but also has a mission “to foster innovative artistic expression and the creative process” and is “focused primarily on supporting work of a challenging and often experimental nature”.
The Artists Rights Society is the U.S. copyright representative for the Andy Warhol Foundation for the Visual Arts for all Warhol works with the exception of Warhol film stills. The U.S. copyright representative for Warhol film stills is the Warhol Museum in Pittsburgh. Additionally, the Andy Warhol Foundation for the Visual Arts has agreements in place for its image archive. All digital images of Warhol are exclusively managed by Corbis, while all transparency images of Warhol are managed by Art Resource.
The Andy Warhol Foundation released its 20th Anniversary Annual Report as a three-volume set in 2007: Vol. I, 1987–2007; Vol. II, Grants & Exhibitions; and Vol. III, Legacy Program.
The Foundation is in the process of compiling its catalog raisonné of paintings and sculptures in volumes covering blocks of years of the artist’s career. Volumes IV and V were released in 2019. The subsequent volumes are still in the process of being compiled.
The Foundation remains one of the largest grant-giving organizations for the visual arts in the U.S.
Many of Warhol’s works and possessions are on display at the Andy Warhol Museum in Pittsburgh. The foundation donated more than 3,000 works of art to the museum.
From November 19, 2021 – June 19, 2022, the Brooklyn Museum displayed the Andy Warhol: Revelation exhibition. Revelation examines themes such as life and death, power and desire, the role and representation of women, Renaissance imagery, family and immigrant traditions and rituals, depictions and duplications of Christ, and the Catholic body and queer desire. Among the more than one hundred objects on view were rare source materials and newly discovered items that provide a fresh and intimate look at Warhol’s creative process, as well as major paintings from his epic Last Supper series (1986), the experimental film The Chelsea Girls (1966), an unfinished film depicting the setting sun commissioned by the de Menil family and funded by the Roman Catholic Church, and drawings created by Warhol’s mother, Julia Warhola, when she lived with her son in New York City.
Warhol founded Interview magazine, a stage for celebrities he “endorsed” and a business staffed by his friends. He collaborated with others on all of his books (some of which were written with Pat Hackett.) One might even say that he produced people (as in the Warholian “Superstar” and the Warholian portrait). Warhol endorsed products, appeared in commercials, and made frequent celebrity guest appearances on television shows and in films (he appeared in everything from Love Boat to Saturday Night Live and the Richard Pryor movie Dynamite Chicken).
In this respect Warhol was a fan of “Art Business” and “Business Art”—he, in fact, wrote about his interest in thinking about art as business in The Philosophy of Andy Warhol from A to B and Back Again.
Warhol (right) with director Ulli Lommel on the set of Cocaine Cowboys (1979), in which Warhol appeared as himself. Warhol appeared as himself in the film Cocaine Cowboys (1979) and in the film Tootsie (1982).
After his death, Warhol was portrayed by Crispin Glover in Oliver Stone’s film The Doors (1991), by Jared Harris in Mary Harron’s film I Shot Andy Warhol (1996), and by David Bowie in Julian Schnabel’s film Basquiat (1996).
Warhol appears as a character in Michael Daugherty’s opera Jackie O (1997). Actor Mark Bringleson makes a brief cameo as Warhol in Austin Powers: International Man of Mystery (1997). Many films by avant-garde cineast Jonas Mekas have captured the moments of Warhol’s life. Sean Gregory Sullivan depicted Warhol in the film 54 (1998). Guy Pearce portrayed Warhol in the film Factory Girl (2007) about Edie Sedgwick’s life. Actor Greg Travis portrays Warhol in a brief scene from the film Watchmen (2009). Comedian Conan O’Brien portrayed Warhol in the film Weird: The Al Yankovic Story (2022).
In the movie Highway to Hell a group of Andy Warhols are part of the Good Intentions Paving Company where good-intentioned souls are ground into pavement. In the film Men in Black 3 (2012) Andy Warhol turns out to really be undercover MIB Agent W (played by Bill Hader). Warhol threw a party at The Factory in 1969, where he was looked up by MIB Agents K and J (J from the future). Agent W is desperate to end his undercover job (“I’m so out of ideas I’m painting soup cans and bananas, for Christ sakes!”, “You gotta fake my death, okay? I can’t listen to sitar music anymore.” and “I can’t tell the women from the men.”).
Andy Warhol (portrayed by Tom Meeten) is one of main characters of the 2012 British television show Noel Fielding’s Luxury Comedy. The character is portrayed as having robot-like mannerisms. In the 2017 feature The Billionaire Boys Club Cary Elwes portrays Warhol in a film based on the true story about Ron Levin (portrayed by Kevin Spacey) a friend of Warhol’s who was murdered in 1986. In September 2016, it was announced that Jared Leto would portray the title character in Warhol, an upcoming American biographical drama film produced by Michael De Luca and written by Terence Winter, based on the book Warhol: The Biography by Victor Bockris.
Absolut Warhola (2001) was produced by Polish director Stanislaw Mucha, featuring Warhol’s parents’ family and hometown in Slovakia.
Andy Warhol: A Documentary Film (2006) is a reverential, four-hour movie by Ric Burns that won a Peabody Award in 2006.
Andy Warhol: Double Denied (2006) is a 52-minute movie by Ian Yentob about the difficulties authenticating Warhol’s work. Andy Warhol’s People Factory (2008), a three-part television documentary directed by Catherine Shorr, features interviews with several of Warhol’s associates. The Andy Warhol Diaries (2022), a six-part docuseries directed by Andrew Rossi, was released on Netflix chronicling Warhol’s life from the vantage point of his diaries.
Warhol appeared as a recurring character in TV series Vinyl, played by John Cameron Mitchell. Warhol was portrayed by Evan Peters in the American Horror Story: Cult episode “Valerie Solanas Died for Your Sins: Scumbag”. The episode depicts the attempted assassination of Warhol by Valerie Solanas (Lena Dunham).
In early 1969, Andy Warhol was commissioned by Braniff International to appear in two television commercials to promote the luxury airlines “When You Got It – Flaunt It” campaign. The campaign was created by the advertising agency Lois Holland Calloway, which was led by George Lois, creator of a famed series of Esquire Magazine covers. The first commercial series involved pairing unlikely people who shared the fact that they both flew Braniff Airways. Warhol was paired with boxing legend Sonny Liston. The odd commercial worked as did the others that featured unlikely fellow travelers such as painter Salvador Dalí and baseball legend Whitey Ford.
Two additional commercials for Braniff were created that featured famous persons entering a Braniff jet and being greeted by a Braniff hostess while espousing their like for flying Braniff. Warhol was also featured in the first of these commercials that were also produced by Lois and were released in the summer of 1969. Lois has incorrectly stated that he was commissioned by Braniff in 1967 for representation during that year, but at that time Madison Avenue advertising doyenne Mary Wells Lawrence, who was married to Braniff’s chairman and president Harding Lawrence, was representing the Dallas-based carrier at that time. Lois succeeded Wells Rich Greene Agency on December 1, 1968. The rights to Warhol’s films for Braniff and his signed contracts are owned by a private trust and are administered by Braniff Airways Foundation in Dallas, Texas.
Warhol strongly influenced the new wave/punk rock band Devo, as well as David Bowie. Bowie recorded a song called “Andy Warhol” for his 1971 album Hunky Dory. Lou Reed wrote the song “Andy’s Chest”, about Valerie Solanas, the woman who shot Warhol, in 1968. He recorded it with the Velvet Underground, and this version was released on the VU album in 1985. The band Triumph also wrote a song about Andy Warhol, “Stranger In A Strange Land” off their 1984 album Thunder Seven.
A biography of Andy Warhol written by art critic Blake Gopnik was published in 2020 under the title Warhol.
SCREEN TIME WITH SAM 